Evelyn Wang (Everything Everywhere All At Once) Research Update | Abnormally Normal Blogs

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Evelyn Wang

The Multiverse-Saving Laundromat Owner from Everything Everywhere All At Once

Howdy folks! As the name implies, this isn’t really a conventional VS blog, but rather just an expansion on pre-existing research for the character. As some of you may know, I (NormallyNormal) was a big researcher in Fenic’s Fighting Blogs’ Mark vs Evelyn blog. Most of the research there certainly still holds up, and I believe the entire team did a great job with it. The purpose of this blog IS NOT to be any sort of debunk or anything of the sorts, but rather, a compilation of new findings or higher-end arguments for her, be it from new content that I couldn’t get my hands on back when the original blog was made, or just missing some notable stuff.

Those who weren’t aware of this blog’s existence, please check it out! It’s still one of the most fun experiences I’ve had working on a blog project. Those who are just interested in the new coverage, DEFINITELY stick around and give this a read, because there are some very crazy findings. I won’t be covering all the exact same stuff the original blog did, since that’s just redundant and boring and lame, so every section from here on will include new interpretations or findings for you all to dig into.

Oh, and obviously, this won’t be formatted as a standard blog, so keep that in mind while going through it.

Media List

• Everything Everywhere All At Once

• Movie’s Screenplays

• Deleted Scenes

• Behind the Scenes Content

• A24’s EEAAO Screenplay Book

• Despite what the name implies, this includes a large amount of extra content beyond just the screenplay that provides further in-sight into the world.

• EEAAO Creator Commentary

• Miscellaneous Statements & Interviews

Abilities

Probability Manipulation & Precognition/Omniscience

A fairly consistent ability displayed by those who’ve opened their minds to the infinity of the multiverse is to warp probability in absurd ways. For instance, Jobu is consistently shown being hyper-aware of the probability for events occurring, such as knowing that the exact probability of a gun firing a dud in a specific universe is 1 in 1000 odds, which she abuses to make said gun fire a dude 5 times in a row, which she attributes to be 1 in a trillion odds, and if that wasn’t absurd enough, she made it so all the atoms in an alternate Evelyn’s head tunneled perfectly through every atom of her desk and came out the other side perfectly fine, being 1 in a million trillion trillion odds. This is also shown in a deleted scene with Evelyn throwing spaghetti at Jobu and seeing every possibility to know where she’ll step to make her slip on it, attributing it to being a statistical inevitability. Verse-Jumpers can casually perform tasks that have 1 in 8 thousand odds of happening, and since we know every single universe in EEAAO is just another possibility that could have occurred, those who can see every universe like Evelyn and Jobu can thus see every single possibility at once, shown with Jobu knowing the exact way and timing in which Deirdre would jump off a balcony after telling her no one likes her, Evelyn “scanning countless possibilities” to find precisely what ways to tranquilize opponents and her being able to see new possibilities be created in real time, which would explain how they’re so aware of the exact odds for something occurring.

Forceful Verse Jumping & Damage Redirection

In simple terms, Verse Jumping is the ability for Verse Jumpers to mentally link themselves with alternate universe versions of themselves, letting them access all their memories, skills, and emotions, which can extend to even physically altering their main body to match the physicality of their other self. Characters like Jobu can abuse this system, however, by forcefully transferring others with their alternate universe selves, which can have some devastating consequences. First, though, it’s worth explaining how this even works. The multiverse of EEAAO is explained in the E24 book to work under the principles of the Many Worlds Interpretation of Quantum Mechanics, wherein every possible position a particle can take creates its own universe where this occurred, or in simple terms: every possibility has its own universe. The theory is covered in-depth in the book Worlds Without End: The Many Lives of the Multiverse by Mary-Jane Rubenstein, who wrote the entire section linked above explaining the theoretical physics the verse operates under; the book is literally cited both at the end of the section AND as one of the sources used to make the movie, which is supported by the creators discussing how they looked into and discussed many multiverse concepts and quantum mechanic experiments like the Double Slit Experiment to make the movie, directly mentioning the fact they were trying to ground it in quantum physics and possibilities, comparing the idea of branching universes as the characters being a probability field and superposition of themselves, and even if it doesn’t technically tie into EEAAO, the Daniels did write an entire book dedicated to theories about the multiverse including going in-depth on the MWI, indicating it should very much apply to the verse’s fundamental functions.

To quote her explanation:

According to the Copenhagen Interpretation, the reason it is impossible to determine position and momentum at the same time is that a particle does not have a determinate position or momentum until it is measured.³ The state of a subatomic particle cannot be expressed as a simply located point or series of points on a Cartesian plane; rather, it is expressed in terms of a “wave function” that details the varying probabilities of its possible states. When the particle is not being observed, it exists in a “superposition,” occupying each of its possible states at once. But then when an observation is made, the wave function “collapses,” and the particle takes on a definitive place, speed, energy, or spin— whichever property is being measured. Quantum particles are therefore a bit like the main characters in Toy Story (or Jim Henson’s earlier, underappreciated The Christmas Toy),⁴ who race around the room when they are alone but then freeze when a human opens the door. This account, without the layperson’s illustrations, was more or less the story that prompted Everett to wonder, “What if the wave function never collapses?”⁵

According to Everett’s explanation, if the wave function never collapses, then every possible outcome actually happens—each in a different universe. So every time a particle “decides” on a specific position, the universe has “split” into multiple branches—one for every position the particle might possibly take. Every time the wind blows one way or another in the vicinity of a sailboat, the universe has split into some worlds in which the boat gains speed, some in which the boat changes course, and some in which the crew is stuck in the doldrums for a day and a half. And every time you order a burger with fries, there is another universe in which you have just ordered a salad and another in which you have just seen a mouse run across the restaurant floor and fainted.

Even if you argued this was far too disconnected from the movie, this exact idea is brought up in the story itself, with Jobu explaining how everything is “just a random rearrangement of particles in a vibrating superposition” which she explains as she converts a mere tree branch into seemingly infinite different objects. In short, this means that Jobu’s ability to turn things into alternate versions of themselves works by changing its current “state” or “possibility” into another possible state of a different universe, essentially picking what state of existence she wants something to take; be it turning a police officer into a bunch of confetti, another officer into an upside down wrestler to slam their face into the ground, a gun into a vape she can smoke out of (while still looking like a gun), and so on. Evelyn herself has demonstrated this by turning a gun into a phone that’s already mid-call with a lady’s son to calm her down (indicating it’s beyond just conventional transmutation/matter manipulation), a pair of scissors into a ball gag that another version of herself was holding or bullets into googly eyes that her other self found on the ground (showing it does work by replacing an object with its alternate universe self), and even turning a guy into a sack of potatoes.

This can also be used to for standard dimensional travel, shown by Jobu, to either bring other dimensions to her when she summoned The Everything Bagel or take others directly to her universe of choice, seemingly through portals, though she can also just teleport their consciousness across various universes mid-fight without even needing to touch them. This ability is weirdly busted too, as she can simply take someone to a universe where they’re dead, forcing Evelyn to speak through the urn holding her ashes (Evelyn maintained consciousness and locomotion mainly due to her innate ability to survive as inanimate objects, meaning most other characters lacking such a resistance would simply be dead for good). In the weirdest example of this, Evelyn just trying to hit Jobu caused her to go through various possible universes until she experienced both a universe where she hits Jobu and one where she hits herself, causing her to, well, hit herself. This implies Jobu, and by extension Evelyn, could replace the current possibility where she’s being hit with one where the attacker is being hit instead, similar to how her standard universe swapping works, though given the phrasing of the scene establishing Jobu is trying to show Evelyn how she’s experiencing every universe just like her, you could argue this isn’t Jobu’s doing and is just Evelyn experiencing the pain from a separate universe (assuming this is the intention of the scene, given what Jobu’s powers have been shown to allow her to swap, it wouldn’t be impossible for her to replicate such an event).

Self-Verse Jumping & Resurrection

Jobu and Evelyn aren’t limited to just using this power on others. They can freely alter their own existence at will, usually to make actually killing them borderline impossible; Jobu’s been shown making herself magically unhandcuffed (could also be her replacing the handcuffs with a possibility where they’re air or something), causing her face be on the back of her own head, turning a gunshot wound into organic ketchup and undoing any damage she took, and even stabbing herself with a sword only for her blood to turn into candy as both her and Evelyn suddenly become piñatas as she explains how “everything [they] do gets washed away in a sea of every other possibility,” similarly erasing any real injury she suffered. Based on how Jobu’s power seems to work and the description she gives at the end, this is most likely achieved through replacing her current self, the one who is injured, with another possibility where she simply wasn’t injured or the injury is negligible, like being a piñata, which would logically add up with Verse Jumping already shifting the person’s physicality to match their alternate self’s, and Jobu being able to physically turn others into their alternate selves. Evelyn shows the full extent of this near her awakening, where after literally dying to the point her mental map went red, indicating mental death, because her mind still existed across other universe versions of herself, she could simply… bring her main body back to life from another universe. The specifics of how she brought herself back aren’t elaborated on, but logically it would be similar to how Jobu heals herself, since Evelyn doesn’t appear to be suffering from any of the injuries she had just before that point. This means Evelyn is essentially incapable of staying dead for good in any universe so long as there’s another possibility, another version of herself, where she’s alive that she can replace herself with. The exact limitations on this are… unclear, to say the least, since Evelyn’s mind can continue to live even within inanimate objects like a rock or an urn containing her own ashes, indicating her ability to remain alive within a form and undo damage to it is not tied to any form of biological impulses, and hell, we even see a version of Evelyn that’s literally just space, implying she doesn’t even need to have a physical body to maintain consciousness. Final thing worth noting is that the screenplay brings up the existence of a soul in regards to the individual Evelyn at the start of the movie, implying each version of herself would have its own soul in a sense, which would explain how she’s able to take over inanimate objects and move around as them despite even Jobu herself pointing out she shouldn’t be able to do that, albeit this could also be interpreted as non-literal, so take it with a grain of salt. Essentially, Evelyn being able to undo damage she has taken by swapping out with another universe version of herself, despite her original body being mentally dead and her consciousness being in an entirely different universe at the time, can be generously interpreted as her being able to reform from full-body destruction, possibly soul destruction (though only on the scope of individual versions of herself, likely not her entire consciousness across the multiverse), by switching in another version of her that didn’t suffer that damage, though of course this mostly comes down to how much leniency you have with this.

MISC

Everything Bagel Timeframe: The timeframe for the creation of The Everything Bagel is generally left vague in the movie, though upon re-examination, I generally believe it shouldn’t be as long as you’d expect. The main statement comes from Jobu herself, who casually explains that she created The Bagel when “she got bored one day” implying a timeframe of, well, a day. You can argue this doesn’t necessarily mean it only took her a day to make it, though the casual wording does seem to imply it wasn’t that hard for her, which is backed up by other parts of the movie. For example, the effects of The Everything Bagel were being felt across the multiverse for what’s clearly implied to have been a while, making every little aspect of life worse till everyone was wishing to go back to how “things were”, which is particularly important as we explicitly know the Verse Jumpers have been hunting down a way to defeat Jobu for years. Since we generally know The Bagel is the main reason they’re even after her to begin with, as it’s been mucking up the multiverse, that obviously implies The Bagel has existed for years by this point, and such its creation would likely place sometime shortly after Jobu became who she is, so the timeframe being a day would make sense. The entire reason Jobu has been searching for Evelyns is to show them The Bagel and hope they could change her nihilist mindset, which is obviously what she’s been doing ever since she started getting hunted, so since we generally know the main inciting incident after Jobu becoming who she is was The Everything Bagel being made years back, Jobu implying she did it in a day does seem to add up fairly well. You can obviously interpret it however you want though, I’m not the boss of ya.

Stats

Cosmology Scaling Arguments

This section will cover Evelyn’s general arguments for scaling to her cosmology, as on re-evaluation, there’s certainly a lot more… let’s say, facets to it than previously thought. For starters, while The Everything Bagel is noted to be a threat to the infinite multiverse (and theoretically beyond) by Alpha Waymond and other Alpha Jumpers, implying it could destroy it, this is directly contradicted by Jobu explaining she didn’t even make The Bagel to destroy everything, but rather, herself. To be frank, it’s a pretty consistent thing for the Alpha Jumpers to be outright wrong about information regarding Jobu; for instance, Alpha Waymond claims Jobu is coming for Evelyn because she fears she’s going to stop her, but Jobu makes it clear she only wanted to find someone like herself, and even an alternate universe version of Alpha Waymond mentions that them trying to kill Jobu for being “evil” was just short-sighted extremism in response to Evelyn claiming Jobu was going to destroy all universes, obviously indicating that The Everything Bagel just… wasn’t going to do that. Hell, when the Verse Jumpers found out that Jobu was just using The Everything Bagel to kill herself, they immediately switched up and let her do her own thing, and Alpha Waymond’s VERY FIRST APPEARANCE establishes they don’t actually know what The Everything Bagel is for, so they’d genuinely have no way of knowing it could actually destroy the multiverse. The creator commentary also makes it very clear The Bagel is meant to be a device for self-destruction rather than a generic doomsday device.

Now, that being said, there’s still arguments for The Everything Bagel and Evelyn to scale to the cosmology, either in terms of range or AP, but them being able to directly destroy everything outright is likely off the table. The main reason everyone is coming after Jobu is due to The Everything Bagel’s effects being “felt” across the multiverse, altering everyday life in such a way to make everything worse, and since it was specifically designed by Jobu to, y'know, kill herself despite Jobu and Evelyn’s busted multiverse-wide immortality (which has a lot more backing to it given the aforementioned creator statement, the A24 Screenplay Book describing it as total annihilation, and Jobu clearly being more knowledgeable on it than the Verse Jumpers), we can at least say its general hax should scale to the cosmology in terms of pure range. There’s also “The RUMBLE,” an aspect of The Everything Bagel and Jobu’s powers that isn’t given too much attention in the movie, but is heavily emphasized within the screenplay as a consistent element. Every time Jobu/Evelyn use their powers to warp the multiverse, or The Everything Bagel manifests, a deep RUMBLE is felt, something Evelyn herself feels all the way at the start of the movie (described as affecting her very soul), and is likely what Alpha Waymond meant when he said they could all feel The Bagel. This all culminates when Evelyn finally reaches her full potential and is spread across the whole universe; her merely using her power caused us to hear “the RUMBLING of the multiverse” as she turned a man into potatoes. Since the RUMBLING is evidently something that actually exists in-universe, being felt by everyone in the multiverse, and it’s described as the multiverse itself RUMBLING, you could interpret this at face value to mean Evelyn, Jobu, and The Everything Bagel are actually shaking the entire multiverse when utilizing their abilities. This would align with The Bagel’s other showings of affecting the cosmology with its abilities, though whether it and Evelyn/Jobu are actually physically shaking the multiverse or not is very much up to interpretation. Another potential argument is the A24 Screenplay Book stating The Everything Bagel destroys possibilities, though this might be metaphorical, and The Everything Bagel blatantly containing EVERYTHING within it (backed up by the same book) which might include the entire multiverse as Evelyn could see her other universes swirling inside of it, though similar to before, whether these universes are physically inside The Everything Bagel or if it’s simply showing Evelyn all her other possibilities is up to debate.

Assuming you do buy the RUMBLING statements as valid for cosmology-wide AP, Jobu being able to briefly survive inside The Everything Bagel alongside Evelyn’s own showing of RUMBLING the multiverse with her power would likely let them scale physically to it. Now the question is, how big is the cosmology?

Well…

Cosmology

The Multiverse

The original blog more or less covered this already, so I’ll be quick. The multiverse contains a universe for each possibility, which at its lowest interpretation would be about 10^502,685,000 possible universes (probably one of the highest numbers for finite universes in fiction!) This is ultimately irrelevant anyways, as the basic multiverse blatantly contains an infinite number of universes, all floating within a “cosmic foam.” Any possibility one can think of has its own universe, as Evelyn discovered when she accidentally found an entirely new universe through thinking of a random string of nouns. The cosmic foam alone is interesting, since the idea of all universes being spaces floating alongside each other but kept separate by cosmic barriers is backed-up by official sketches, and something firmly established with the multiverse operating under the MWI of Quantum Mechanics where universes are inaccessible from one another after splitting. This generally conveys the existence of a sort of bulk space in which they’re all contained, extending to at least 5D, though this is only the lowest possible interpretation, which is when we now get into the highest-ends for the cosmology.

Tegmark’s Level III Multiverse

The multiverse of EEAAO operating under the MWI of Quantum Mechanics comes with some ABSURD implications, though thankfully, I don’t even need to reach for them. As brought up earlier, the book Worlds Without End: The Many Lives of the Multiverse, which is directly cited in the bibliography as one of the books that the Daniels looked into when making the movie AND was written by Mary-Jane Rubenstein who also wrote the section in the A24 book detailing the functions of the cosmology (indicating she knows what she’s talking about), goes very in-depth on the specifics of the MWI of Quantum Mechanics, which I will quote here:

If these musings sound familiar, it is because such bizarre possibilities arose in the notion of a “quilted” multiverse, which operates under the sole assumption that the amount of matter and space-time in the universe is infinite. That was Max Tegmark’s Level I. The compendium of the MWI’s ever-branching universes constitutes what Tegmark calls the “Level III multiverse,” which (metaphysically at least) looks strikingly like the infinite set of overlapping spheres in Level I. As Tegmark explains these strata, “[T]he only difference between Level I and Level III is where your doppelgängers reside. In Level I they live elsewhere in good old three-dimensional space. In Level III they live on another quantum branch in infinite-dimensional Hilbert Space.”⁷ The quantum multiverse, then, is neither spatially arrayed nor temporally sequential. Even in principle, one could never reach these other worlds by traveling far enough “out there” or long enough “back then.”

To quickly recap, Mary-Jane Rubenstein was brought on to the A24 Screenplay Book to give an explanation on the multiverse principles EEAAO operates on, that being the MWI, which she explained in a previous book to constitute Max Tegmark’s Level III Multiverse, where the other universes are all held within an infinite-dimensional Hilbert Space, and said book is even listed down as one of the resources the creators went through to make the movie, and is very clearly the actual intention within the movie itself given the direct mentions of everything being within a vibrating superposition by Jobu and every possibility causing a split to another universe. Since we know the MWI applies to every individual universe (best shown with the multiverse containing seemingly infinite variations of even just the Alphaverse alone) and Hilbert Space is LITERALLY stated to be infinite-dimensional meaning there’s not much extrapolation being done here, there should be more than enough direct proof to indicate the cosmology of EEAAO is High Hyperversal in scope. Keep in mind not every verse that is mentioned to operate under the MWI should suddenly get the High Hyperversal mark slapped onto it, it’s only due to the DIRECT mention of infinite spatial dimensions by the same person who broke down the cosmology of the movie alongside all the other evidence that makes it valid here, at least in my opinion.

Now, whether others actually scale to this in regards to AP is up to you. Jobu and Evelyn can dimension hop through the entire multiverse, exist across the entire multiverse (with Jobu being described as omniversal in the commentary), and The Everything Bagel’s abilities affect the whole multiverse, so the two should AT MINIMUM possess High Hyperversal range, but as brought up in Stats, whether their physical AP or the output of The Bagel is at the level of the cosmology is pretty interpretation-based.

Conclusion

• High-Hyperversal Range in Base [Multiversal Immortality, Dimensional Travel, Precognition/Omniscience] & The Everything Bagel [Existence Erasure, Probability Manipulation]

• Resurrection/Damage Negation via Multiverse Body-Swapping [Low-Godly, Possibly Mid-Godly]

• Absurdly Potent Probability Manipulation [Up to “1 in a Million Trillion Trillion” Odds; Likely Much Higher]

• Ability to Replace People & Objects With Infinite Possible Versions of Themselves (Including a Universe Where They’re Dead)

• Able to See & Scan Countless Possibilities to Predict Events

• Debatably High-Hyperversal Physical Stats [Heavily Debatable]

• Likely Only 1 Day Timeframe for Bagel Creation

• Everything Else From the Blog

Before We Go…

How This Affects Mark vs Evelyn

So, with these far more complex high-end arguments being brought up for Evelyn, the obvious question becomes: Can Mark even keep up?

Is the debate a wash now? Is there even a point to it? How much has changed?

…weirdly, not as much as you’d expect, though it is way closer.

As the main blog brings up, Evelyn’s precognition and multiverse omniscience is countered by Mark’s nature as an anomaly, due to the Wormhole making him essentially “disappear” across every universe to make him untraceable. However, her probability manipulation would still apply to everything outside of Mark, so it’d be a very solid defensive tool, especially with its potential uses for intangibility, and given her new resurrection arguments, it’s unlikely most of Mark’s conventional weaponry could actually put her body down for good, as she could undo any damage, say, his explosives do to her. Do note she can obviously still be harmed and taken out for a bit, but not much is stopping her from bouncing right back, and even if one of her bodies was somehow completely destroyed within a universe, her options for dragging people into different universes would likely let her just take Mark into a universe where she’s alive again, which would remove Mark’s advantage of more convenient dimensional travel.

Of course, the main debate has still always been whether they can permanently put the other down or not, due to their weird multiverse immortalities, so the main point of contention comes with the new cosmology and AP arguments. Interestingly, whether you buy Evelyn/The Everything Bagel scaling in terms of raw power to her cosmology doesn’t actually matter (outside of the potential for Evelyn’s base bodies to stone-wall Mark, though that wouldn’t help her kill him anyways and he has durability negating options regardless); no matter on what your thoughts are on the AP scaling, The Everything Bagel’s existence erasure should always scale to the cosmology in terms of range, meaning it would have the range to wipe out all Marks in his cosmology assuming he got caught in it, and like the original blog brings up, while Mark has some defense against existence erasure, The Bagel operates more on a conceptual level which he can’t resist. So, The Bagel is still just as much of a win-condition as before, but could The Wormhole even affect Evelyn’s cosmology?

To be frank, it just depends on how you wanna interpret cosmologies here. Mark’s cosmology has pretty straightforward R>F arguments via the Narrator’s world and The Mansion’s general cosmology (which would require an entirely new blog of its own, but I digress), so it just depends on how you view high-ends. The absolute lowest ends for both cosmologies (5D Evelyn vs 6D Mark) would generally have The Wormhole exceed Evelyn’s cosmology, meaning it would still serve as an option for winning, and both of their highest ends (High Hyperversal Evelyn vs Outerversal Mark) would still tell a similar story. Obviously, if you buy one, but not the other, then that character would likely just take the win. This essentially adds a new factor of interpretation to add far more depth to it than it had before, which is quite fun!

[Note: Assuming you buy R>F for Mark’s cosmology, this wouldn’t prevent The Everything Bagel from killing Mark, since his multiversal existence generally just extends to his base multiverse, which wouldn’t include the higher cosmological realms mentioned before, and thus would likely only scale up to 5D, meaning The Everything Bagel should always be capable of erasing Mark, assuming he’s caught up in it… though the higher cosmological interpretations would still allow Mark to escape its effects with The Warp Core.]

The final change to it would be The Everything Bagel’s timeframe. The blog generally had The Wormhole’s timeframe at about a day, give or take, given the weird time-bending aspects of The Wormhole makes placing an exact timeframe for it tricky (there are characters who, from their perspective, spent years inside The Wormhole, while others like The Captain spent only about a day in it, with both angles having statements backing up one or the other). This would line up fairly well with the similarly vague timeframe for The Everything Bagel, that can also be interpreted as being down to a day, so if both tools of annihilation have similar timeframes for them becoming win-conditions, which one would pull it off first? Well, while way closer, the answer is likely still similar to that of the blog: Evelyn’s main strategy in fights, ESPECIALLY the climax which is when she actually achieves her powers, is aiming to first incapacitate an opponent, while on the other hand, The Wormhole is something passively generated by The Warp Core that Mark doesn’t need to choose to activate. While it’s not impossible for Evelyn to resort to using The Bagel, and (contrary to what I originally argued in the blog) she should very well know how to make it given she has the exact same “infinite knowledge of the multiverse” as Jobu, it’s generally far less likely for her to aim to create it frame 1 in comparison to The Wormhole’s far more passive creation.

Generally, the debate is still familiar in many aspects, but with a LOT more complexity to it that allows for new interpretations, whether it be if you think the infinite-dimensional statements should be used for Evelyn, whether you think R>F is stupid and dumb, which one you prioritize over the other, and so on. Generally though, I do believe Mark is the safer call, on the basis that his base options for winning are better, and his main way of losing is if you explicitly believe Evelyn’s cosmology is just far bigger. This isn’t to say that’s a wrong interpretation, and in fact, I quite encourage different views on the MU to incite more discussion, I just personally think that even in this infinite multiverse of possibilities, Mark can edge out more times than not in the one universe where this fight ends.

…but if you disagree, then more power to you! I just wanted to make this to cover new arguments for one of my favorite match-ups. For those who are excited for new blogs from me, I’ll probably cook up a 2025 Retrospective post where I’ll announce my planned next time, and for those who simply came cause they wanted to see the cool scaling, uh, hope you enjoyed it. See yah!

Update

So I got mad bored and decided to put a speed value on the “rumbling the multiverse” showings, using the finite universe value given on the first alternate screenplay, and it got about 2.93536e+502684715 Centillion X FTL. Please do not take this number seriously, but also, it is very funny so maybe do take it seriously cause I’d laugh about it.